Here’s another installment of author interviews, and this week is slightly different as today it’s a short story author.
I’ve been meaning to interview Jethro for a while now (sorry for the delay, Jethro!) and I’m glad I finally got around to doing it. Although, I hate to admit I haven’t read his books, after interviewing him and reading the reviews on Amazon – they’re both going straight onto my wish list! Seriously, you guys have to check them out!
About Jethro Weyman
Jethro is a fellow Brit, born in Buckinghamshire and raised in Hertfordshire, not only does he write mind-boggling short stories, he works for the NHS as a physiotherapist in Birmingham. He manages a small team of five (including himself) on a specialist stroke and neurology rehabilitation ward. He also recently snagged some work as a supporting artist working on a film – which he can’t name yet!
As well as writing (and acting, so it seems), he enjoys cycling, bouldering, and as many forms of media he can cram in. He’s a big fan of nature, so tries to surround himself with that as often as possible. He loves animals, although doesn’t currently own any, and in his own words he “also loves not having fur or vomit or the outdoors all over the house!”
Bang to Begin
One of Jethro’s books; Bang to Begin, is a series of short stories, although a mix of genres, they are all linked and, by the end, become one. It’s designed to be a bit of a “head messer”, but also one that grows with a second read through. Read the synopsis below.
(It’s already on my wish-list, Jethro, will be purchasing it as soon as I move into my new apartment!)
Synopsis:
Reality is Relative.
There is no such thing as universal truth.
But lies are always lies.
From auctions to assassinations, from cosmos to subconscious mind, the roots feeding into these short stories start fine, but thicken and tangle as they grow deeper.
Follow these wayward souls through their darkest moments, each beginning with a bang and each trying desperately to avoid ending with the same.
A metaphysical, visionary exploration of the human psyche and all that it means to be real – discussed via an anthology with a difference.
Interview with Jethro
Now, let’s get into the interview and learn more about the inner workings of Jethro’s mind and these books of his…
What got you into writing?
I actually got into it a little by accident. I had an idea for a scene stuck in my head for a few momths and just felt I needed to get it down on paper for it to stop irritating me. Fortunately, that didn’t work… and I was irrirated all the way to writing a full novel. It definitely wasn’t expertly written, but it was something I could work with. I recently edited that scene out, which was a bit of a blow, but I’ve got it stored on my hard drive for reminiscence purposes.
What is your most unusual writing quirk?
I’ve got no idea if I have any quirks, let alone unusual ones. I guess I’ll need to set up a camera and keen an eye on myself… although, I probably wouldn’t like what I find!
Do you write every single day?
I wish I had the discipline and the energy, but sometimes I get home from work and jus tneed to sit down and watch something mindless for a while. I do go through periods of daily writing, but it’s rare these days. If Twitter stories count, then I do write most days, but substantial writing probably comes about twice a week right now, at best. There’s a lot of life happening at the moment and that’s not necessarily a good thing!
What is the most difficult part of your writing process?
That definitely has to be the editing side of things. I can quite easily have the enthusiasm sucked out of me by a long editing stint, especially when I’ve had some brutal feedback calling for a big rewrite. I’ve had to kill a lot of darlings… I’ve had to kill a lot of things I wouldn’t call darlings too, but I’m a bit of a perfectionist as I write too… so having to go back and realising how imperfect it all is after a first draft can be quite dishearening. But such is the life of a writer!
What, to you, are the most important elements of good writing?
For me, as a reader, it’s all about the flow. If a writer can entice me with their premise and make me look forward to reading what sounds like it will be right up my street, only to write in a clunky and fluentless way, that’s really disappointing. It also shows when someone has a handle on their genre or their style as well… it probably shows even more when they don’t. Since starting to write myself, I feel like I’ve become a lot more critical over these aspects as well. I’ll notice and get annoyed by a lot more than I used to, but I think that’s probably true of all of us.
How do you use social media as an author?
I am definitely guilty of a shameless self promo or several, and I think social media is a fantastic marketing tool, at least in the early days of a writer’s career (which is my only experience). I also use it to connect with other writers, to practice my craft with short stories using many word prompt games and also, to a certain extend, to feel part of a wider community, especially in times like these where it’s more difficult to have a social life. I’ve made a lot of friends via social media, primarily Twitter, and if you ignore as much of the toxicity as possible, it can be a very rewarding place to be.
What’s your favourite and least favourite part of publishing?
Self-publishing is definitely a pain – My least favourite part of it (or most hated) was formatting. Especially in the first book I published, which is made up primarily of Twitter stories. The formatting took forever and it drove me a little insane for a while… in fact, the remnants are probably still rattling around in there somewhere. My favourite part was definitely the satisfaction of being a published author, although I do still feel I need to get traditionally published before I can truly accept that. Anyone can publish a book these days, but not anyone can nab an agent and get a publishing deal.
How much research did you need to do for your books?
I must admit… I’m a bit of a write now, research later kind of chap. If I stop too much to focus on the details, I lost that all important flow and that’s something I really try to avoid. However, there are certain things I had to look up beforeI wrote for example: the geography of where I used to live in Buckinghamshire for my first novel – I needed travel times and names of nearby places and I even did a bit of google map street viewing to make sure it was accurate. For my fantasy novel, I did very little research other than finding names and designs of weapons which could be used or modified for use in the story. And with Bang to Begin, the only thing I can remember fully researching was what happens to someone when they hang themselves for one of the horror elements… so my search history is probably not as bad as Stephen King’s, but there’s a few dodgy key words on there.
What do you need in your writing space to keep you focused?
I wish I’d found it!… probably an EMP device which stops all electronic devices apart from my laptop from working… and will only let me use the internet for research purposes. I basically need a parental lock on my writing space.
Have you ever Googled yourself?
Of course… there’s nothing particularly interesting on there, but it does come up with the awful photos that are on the profile I have with an Extras casting agency. Twitter and my books come up as well… but I’m yet to get the all important Wikipedia page… maye I should make one myself!
Do you play music while you write – and if so, what’s your favourite?
I used to be unable to write unless I was in total silence, even bird song would put me off. Nowadays, maybe I’ve mellowed a bit, but I put on instrumental music. This could be acoustic guiter or piano music, but my favourite music to write to is Neo-Soul or Chillstep – there are a good few playlists on Spotify which absolutely hit the spot for this, including one called Mellow Beats and another called Lo-Fi Beats. When I don’t need to think too much about how I’m working things, I often put on some Tom Misch or Jordan Rakei or their playlists. Whatever I have on… it has to be calm and rhythmic.
Can you tell me a little bit about your book “Bang to Begin”?
I can! The idea for the book came to me after the 6th chapter; a story called The Death of Fate. Originally I was just writing completely disparate episodes as a series for a reading subscription website called Channillo. After that 6th chapter, I thought it should be more than what I set out to create, especially as this chapter gave me the idea of how to link them all together. The concept of face (and other metaphysical concepts) are the cornerstone of the book. What if these concepts were personified? What if that personification were a construct of an individual’s perception or ego? So, I worked prospectively and retrospectively to fit all of the stories together… the original versions are still available on the website and are even harder to follow than the final.
It’s all quite dark and more than a bit twisted, but writing in this way gave me space to dabble in all of the genres I’ve had an interest in. There are stories primarily based in the thriller/suspense genre, in horror, in fantasy and sci-fi and, to begin with, it can definitely be quite confusing. I’ve written it in a way which, I hope, begs for a second read, because there are little callbacks and subtleties that won’t be noticeable at first. I don’t want to give anything away, but once you realise what this book really is… it should come as a bit of a revelation, if not a relief! Plus, it’s only short… which can only help.
Both of your published books are short stories, have you considered writing a novel?
I definitely have considered it and I’ve done it. I wrote a thriller called Kept in the Dark, which I’m currently querying – this was my first foray into proper writing and I’ve had some good feedback from readers, but I’m yet to land an agent. I’ve done some more revisions recently, and I hope that helps. It explores government and insitutional corruption and how the people who oppose this are viewed. It’s set in what I call a near-future dystopia – a little bit Black Mirror. I’ve also written an SFF novel called Craft (Working Title), which explores social, racial and gender inequality in a way I hope is unique. I try to incorporate more meaningful themes into my work when I can.
Do you have any projects you’re working on at the moment?
Too many, and I curse myself whenever I add another. I’m currently working on a short story (should end up about 5000 words) which is a YA (ish), supernatural thriller. I’m not too far off finishing the first draft of this, but I have no idea what I’m going to do with it. I’m also editing my first screenplay using the wise words of Syd Field and some beta readers as a basis. I would love to write for the screen, so I’m going to try and make a go of this. It’s a post-apocalyptic comedy. I should be editing my second novel, but it is hard to tear myself away from the new stuff (this is always a problem) and I did start writing the sequel to this as well when I was stuck in a Brazilian airport for about 8 hours. So, I’ll get back to that at some point as well.
If you’d like to contact Jethro, here’s a link to his Twitter page!
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